Volume XXV, Issue 2 – Fall 2019
FROM THE EDITOR
What Does “The Commons” Mean?
AGLSP TEACHING AWARD
Serendipity
Raymond Callahan, University of Delaware
excellence in interdisciplinary writing award
Maidie: The Life and Work of Mary Whiton Calkins and a More Inclusive Look at the History of Academia
Alexandra Schuh, University of Pennsylvania
excellence in creative writing award
Home/Away
Heather Cunningham, Northwestern University
human values–insights, implications, applications
Drawing While Black, aka Black Boy Joy
Maurice Moore, University of California–Davis
nonfiction
Rastalogy in Tarrus Riley’s “Love Created I”
Darren J. N. Middleton, Texas Christian University
poetry
Goswick Sands
Adam Hansen, Northumbria University
nonfiction
The Dogged Work of Sisyphean Cynicism
Mathieu Debic, Southern Methodist University
poetry
The Ending
Fang Du, Dartmouth College
nonfiction
Monsieur d’Eon Is a Woman (Do We Have a Problem with That?)
Roger Morris, University of Delaware
poetry
Widdop Road
Adam Hansen, Northumbria University
book review
Common: On Revolution in the 21st Century, by Pierre Dardot and Christian Laval
Reviewed by Steven A. Burr, Loyola University Maryland